Artist Residencies– FAQs

Yesterday, I posted about artist residencies, and several folks have asked for more info. I am happy to share.  I was surprised myself when I first discovered artists colonies–  at first I couldn’t believe that such an oasis existed, and then I couldn’t figure out how any struggling artist could afford to go.  So, here is a little FAQ list I whipped up a couple years ago:

Q: What is a residency?

A: A residency is basically an artists’ retreat.  Sometimes it will be called a colony. As opposed to a conference, you don’t have to do anything while you’re there.  You’re supposed to write, but nobody checks up on you.  If you want to you can spend the whole time napping and reading comic books.  Sometimes writers need the time to just decompress.  I write like mad when I am on a retreat, but I can understand those who just need to lie down and drink more water.

Q: Is it expensive? A: Most residencies receive outside funding.  Some, like Yaddo and MacDowell, require no contribution from the artists.  Others, like VCCA, ask that the writers chip in about $30 a day.  This is a fraction of the cost of the residency; outside sources provide the rest.  Usually, you can explain your financial situation and the residency will work with you. Often there are scholarships and grants. Please, do not let money keep you from applying.  Get in, then figure out the money situation.

Q: Do I have to be published to get in?

A: Nope.  Most residencies try to have a mix of artists at different stages of their careers.  You have to apply to be accepted and your work is looked at in terms of where you are in your career.  One of my most favoritest undergraduates went to Yaddo the year he finished college.. in the SUMMER.

Q: Who is going to be there?

A: Most of the residencies I have attended have been open to all artists, not just writers. Composers, poets, sculptors, dancers, painters, you name it.  But other than that, you can also expect to meet a lot of sort of middle- to upper-middle class artists.  Even if the residency is free, you have to be able to take time off from work, which suggests a certain leisure.  However, some residencies offer a little grant to help you with your expenses at home while you are away.

Q: Ummm.. I am not white.  Will I be The Only One?

A: Probably.  But it’s okay.  The environment is usually pretty welcoming. I’ve only had one or two bad experiences and they have been pretty mild.  A few hair questions, but whatevs.

Q: How long do you have to stay?

A: Most last from two weeks to two months. I suggest applying for the whole two months, but then you see what you are offered and see how much time you are available to take.  No one gets mad if you have to reduce, as long as you do it in advance so another writer can take advantage of the opening.

Q: Are the accommodations nice?

A: Some residencies are swanker than others.  Yaddo and MacDowell are the dreamiest.  But they are clean and you basically have what you need.  Here are my photos from MacDowell from a couple years ago.

Q: What about the food? A: In my experience, yummy. And even more yummy because I didn’t have to cook or pay for it.  Some places give you three squares, but almost all give you a sit down dinner.  The ones that don’t provide lunch usually have lunch fixings in the kitchen, but you have to assemble it yourself.

Q: Why should I go?  I write at home. A: If you can write well at home, stay there.  I choose the go to colonies because I find it very helpful to be away from the demands of my life.  I find that people who can’t respect the fact that I am busy writing, so don’t call me, can somehow understand that I am away at a colony.  Also, it’s just lovely to be in the company of other creative folks.

Here’s a great website to help you find a residency that’s right for you.

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Cackalacky, Here I Come

For years, I thought that “Cacklacky” was a nickname for North Carolina invented by my daddy.  But to be fair, when I was a little girl, I thought my father named the whole world, like Adam.  But that is just a little side point.  The main point is that next weeks, I have three public events in North Carolina– Raleigh, Chapel Hill, and Ashville  If you are in the area, I would love love love to see you.

 

 

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I need two vacations– One for Me-Me, and One for Writer-Me

Have you seen my schedule?  For the last year, I have been burning up the roadways and airways promoting Silver Sparrow.  It has been an amazing experience, but I am tired, y’all. Tired.  I am sure there must be a french word for when you are exhausted and delighted at the same time. I am basically done with the road in August and I need some Tayari Time.

There are two types of Tayari Time.  The first will be an old fashioned vay-cay.  I thought about checking myself into a fitness retreat where you work out, eat vegetables, and drink water– basically de-tox.  No doubt such a regimen would do me good after eating nothing but room service for about three months straight.  But for some reason, a brocoli kale smoothie experience seemed too much like work.  So, as a gift to myself, I booked myself a week in Antigua where I will do nothing but lay up.  I will not take my manuscript with me.  I will not hit the gym while I am there.  I am taking my big floppy hat and a dozen paperbacks.  I will drink pina coladas at the swim-up bar.

But there is the other sort of Tayari Time and that involves my writing.  I confess that I do hardly any writing on the road.  I have tried.  Other writers have given me helpful hints, but when I am on tour, I am bringng my A-game to my events and when I make it back to my hotel, I fall face-first into bed.

Luckily, I had a sabbatical in January and I am going to apply to various artists colonies for the months of February and March.  I have been to a few colonies in the past and I find that I work really well in the peaceful settings provided by such retreats.  I am going to apply to Ucross because I have heard such good things about it.  And besides, I have never been to Wyoming.  I’ll also apply to MacDowell because it’s my favorite.

Does anyone have any recommendations about where a writer can go to recharge?

 

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Triple Header in Atlanta: Pearl Cleage, Charis, APL!

If you know me, you know that Georgia is always on my mind.  I am very happy to announce that the Silver Sparrow paperback tour includes a three day visit to Atlanta, and three signing events.  And I am thrilled to remind you that I will be signing all three of my novels– Silver Sparrow, Leaving Atlanta, and The Untelling.  So come out out.  It will be fun.  I promise.

Here’s the schedule.

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Writers Block or Procrastination Remedy: Start The Night Before

Like many people, the biggest impediment to my writing is a failure to sit myself in the chair and try.  I recently whined to someone that my writing hasn’t been “going well” for the last week or so.  I know the person thought that I have been sitting at my typewriter, staring sadly at the glass keys, waiting for the words to come.  But no.  My writing didn’t go well last week precisely because I hadn’t been staring at those keys.

The remedy is obbvious– I need to sit myself in that chair and have at it.

And as all of you know, whether we are talking about writing or exercising, or cleaning house, or whatever.  Starting is the hard part.  (Sidebar: Have you ever watched this awesome video? It’s the mother of all peptalks.)

But on a less touchy feely plane, here is a simple tangible suggestion:  Prepare your writing area the night before.  Clean off the desk.  I don’t mean just organize the clutter. I mean CLEAN IT. Wipe it down.  Then arrange all your tools just so.  Sharpen those pencils.  Do you drink coffee when you write?  Load the pot, so you only have to press “ON” when you get up.  If you have a special writing outfit, set it out, too.  (For me, that would be my fluffy robe.)  Then go to bed.

I find that is I get the process going at night, I wake up already in the mode to write.  And with everything set out before hand, I won’t get distracted and start cleaning up or something and them lose the mood to write.  And besides, a clean and lovely writing space is so inviting.  You will entice yourself as you entice your mood.

The picture you see here is my writing space in my place in New Jersey.  Looking at the photo makes me realise how much I miss it.  My lucky lamp! And the envelope you see is a letter from a reader, encouraging me to finish up Silver Sparrow.  The desk is has a glass top and I windex it down at night so it gleams in the morning.  Just seeing this picture makes me want to write.  Seriously.

What I am suggesting is a simple fix.  Try it.  And while you’re at it, buy yourself a couple of flowers.  Set them on your desk.  You deserve it.  And then, go write that book.

 

xo, t

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If These Shoes Could Talk

Yesterday, I spent the weekend in Los Angeles to give readings from Silver Sparrow at Eso Won Bookstore and the Los Angeles Times Festival of the Book.  For both events, I wore the shoes you see pictured here.  I know they aren’t much to look at.  They’re not red-bottoms, or Jimmy Choo’s.  But when I bought them, about twelve years ago, they were a real investment.  When I was in graduate school, I was an obsessive bargain hunter.  I was poor as a little mouse—living on approximately $1,200 a month.  I saw these shoes at some closeout store.  I still remember the description—Via Spiga, open-toe slingback, croco-embossed.  That last phrase, croco-embossed, really got me.  I was in shoe love.  But the cost– $73! It was such an indulgence.  I decided to buy them because I was giving a reading from my work-in-progress (Leaving Atlanta!) and I wanted to look nice.  I felt vain and silly for spending so much on a pair of shoes I was convinced I would never wear again.  Afterall, how often did I need to look nice? I was just a young woman with no money, chasing this writing dream.

I remembered this as I packed the shoes because I had left them behind last month when I traveled to New York to speak at the Harvard Club.  It was sort of a pain to get them back.  My assistant, Sarah, had to call half a dozen people to find them, and then there was the cost to have them overnighted.  And face it, the shoes really aren’t that fabulous.  Inside they are a little worn, so my feet slip in them and after a few hours my baby toe hurts.  But I can’t give up on my croco-embossed sling backs.

It’s not that they are a reminder of how far I’ve come, though is it nice to look at them that way.  But I like to think they remind me that I’ve always had my own back.  I bought myself a pair of fancy shoes although that negative voice that lurks in my head told me I didn’t deserve them, that I would never need them again.  That I shouldn’t get accustomed to speaking in public.   When I bought them, the negative voice told me that I was vain and shallow.  But the real story is that I invested in myself.  That I had a feeling that maybe the best was yet to come.

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Tales From The Kidscape– A Class on Writing Young Characters

On Saturday, May 5, I am teaching a course at the amazing Grub Street Writers Conference:  The Muse and the Marketplace.  I am delighted to be included because this conference is pretty amazing.  I like that they have courses in writing craft– hence the “muse”, and the business end, as well.  If you are in Boston, I strongly encourage you to come by and take a few courses.

My contribution to the festival is a course on writing coming of age stories.  When I last checked there were four places left in my class.  So, there’s still time for you to join in.  There are a lot of amazing other classes.  And the guest authors are top notch.

Meanwhile, here is the description of my class:

The coming of age story is a mainstay of American fiction. It is full of possibility – so many of the most enduring works of literature – fall into this genre: To Kill A Mockingbird, The Bluest Eye, The Catcher in The Rye, Great Expectations, Black Boy, A Tree Grows in Brooklyn. The popularity of the genre holds fast in both literary and commercial fiction, from Harry Potter to Twilight to Portrait of the Artist of a Young Man and The Miracle Life of Edgar Mint. All of these stories require the author to authentically recreate the voice of a child. This craft class is not a literature survey, rather it is a discussion of strategies to create young characters that are are both convincing and compelling. 

 

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Happy Birthday Spelman, Thanks For The Memories

Dear Spelman, on behalf of the girl in this picture, thank you for showing me the way to become the woman I am today.  Happy Founders Day.

 

 

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With Real Gratitude

Yesterday, I read from my new novel, Dear History, at Radcliffe Institute at Harvard University.  I had butterflies because Dear History is not yet finished and I wasn’t quite sure if it was ready for the public.  I promised myself after my experiences with Silver Sparrow that I would not show my next work too soon.  But part of the Radcliffe Fellowship is that each person should show how she has been using her time here.  This year at Radcliffe has been such a a gift, and this seemed like so little to ask.  So I did it.  And it went so well.

The purpose of this post is not to recount the highlights of the evening, but to give deep thanks not only to Radcliffe, but to the community of writers and readers here in Cambridge who came out in force and cheered me on.  It’s easy to get so caught up in the drama of your own mind that for start to feel like you’re in this writing world all by yourself.  Leaving my office at 11pm after completing yet another round of revisions, I felt incredibly isolated and exhausted.

I was right about being exhausted, but not about being alone.  More than 100 people showed up to hear the debut of Dear History.  In the crowd were new friends, folks who had journeyed from New York, a couple mentors, and friends I just hadn’t met yet.  The most special guests were a middle school reading group.

Afterwards there was a happy hour and dinner after that.  It was lovely. I feel so blessed and lucky.

(In case you’re interested, here is an article about the event that ran in the Harvard Gazette.)

 

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By Popular Demand, Leaving Atlanta and The Untelling are Back! Thank you, Everyone!

Leaving Atlanta,  my debut novel, published in 2002, will always be my baby.  In many ways, it’s my most personal work, grounded heavily in my experiences growing up in Atlanta during the Atlanta Child Murders.  Many Americans don’t know that between 1979-81 almost thirty African American children were murdered in my hometown.  Those of us who grew up in Atlanta will never forget. It’s no wonder that I chose this as the subject matter for my first book.

And while child murder is a dark topic, I had a lot of fun writing Leaving Atlanta.  I got to go back and remember lots of wonderful details from childhood.  I pulled up memories that were on the edge of being forgotten forever.  There were little things like a weird orange colored, peanut butter flavored candy called a “Chick O Stick”.  I also pulled up a photo of a boy I had known who was murdered.  He was a couple of years older than I was, and a bully.  In my memory he was this huge kid, but when I saw his photo, I realised that he had been just a baby, really.  Understanding this was maybe the hardest thing about writing the book. My personal connection to this project as so deep that I added myself as a minor character.

Well, about three years ago, Leaving Atlanta and my second novel,  The Untelling, were put on “print on demand.”  This basically means that if someone wants a copy of the book, she has to wait for the publisher to print one up.  The books were expensive and took FOREVER to get to the reader. In addition, they were never available when I gave readings.  I was very unhappy about this, but there was little I could do.

But there was something that readers could do, and they did it.  Thanks to the success of Silver Sparrow, more people have discovered my work and have been curious about my other titles.  Enough people have shown interest in Leaving Atlanta and The Untelling that Grand Central Publishing has begun printing them again.  I was so delighted when I gave a reading last week and saw a stack of Leaving Atlanta and The Untelling on sale beside Silver Sparrow.

Thank you, so much, everyone for making this possible.  It means everything to me.

Love,

Tayari

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